Blackmagic Design has unveiled a brand new version of its Pocket Cinema Camera, and this one comes along with a few significant improvements for 4K video. First of all, the newest Pocket Cinema Camera 4K can in fact shoot in 4K, unlike the original version, that was confined to 1080 p. Like its predecessor, the new model can catch that footage from 10 little ProRes or 12 little RAW, but unlike its predecessor, it could record directly to external forces over USB-C, that is a massive advantage when recording exceptionally large 4K RAW files. The newest version is supposed to start this season for $1, 295 .
Whilst the camera is little for a theater camera, it isn’t exactly tiny, and it is definitely larger than the older version. This new model gives room for 5 inches display on the trunk, rather than a 3.5 inch display. And it includes a complete Micro Four Thirds sensor, while the older model was closer to Super 16. That’ll be useful for depth of field and very low light, while enabling it to use some of the lenses from a conventional lens mount utilized by Panasonic, Olympus, and others. Blackmagic is known for creating pro video tools, from cameras, to broadcast equipment, to the business standard colour grading software.
It has been releasing smaller theatre cameras at the low thousand dollar range of prices for the last five or so decades, that have accumulated among amateurs and very low budget filmmakers. The cameras provide pro grade tools and options at a dramatically lower cost than what you’d need to pay for a genuine theater grade camera. While that is Increasingly less special because these attributes move down to cameras like Panasonic’s GH5, Blackmagic’s line carries on to stand out by putting a very clear concentrate on video and video shooters needs. The newest Pocket Cinema Camera 4K has a ton of features that’ll appeal to this market, like a miniature XLR connector, LUT support, and 4K recording at 60 fps, however it still has limitations that’ll keep the camera confined to a niche audience. Fundamentally, unless you are a film director who’s usually in control of lighting and the total environment they will be filming in, this camera probably is not for you. It does not have in human body stabilization, and also the little sensor will battle in low light and also need adapters to get the depth of field you’d get from complete frame or perhaps Super 35 cameras. That might not matter to a filmmakers, however it may be an issue for individuals on fast shoots or traveling to unknown places.